{"id":164,"date":"2026-07-31T08:16:50","date_gmt":"2026-07-31T08:16:50","guid":{"rendered":"https:\/\/eliz.vision\/index.php\/work\/the-hex-warframe-1999-animated-prologue\/"},"modified":"2026-07-31T08:16:50","modified_gmt":"2026-07-31T08:16:50","slug":"the-hex-warframe-1999-animated-prologue","status":"publish","type":"eliz_project","link":"https:\/\/eliz.vision\/index.php\/work\/the-hex-warframe-1999-animated-prologue\/","title":{"rendered":"The Hex \/ Warframe: 1999"},"content":{"rendered":"<header>\n<div><a href=\"https:\/\/eliz.vision\/\"><\/a><\/div>\n<p><span><\/span><\/p>\n<p><span>London, England<\/span><a href=\"mailto:info@thelinestudio.com\">info@thelinestudio.com<\/a><\/p>\n<p><button><\/button><\/p>\n<nav>\n<div>\n<ul><!--[--><\/p>\n<li><a href=\"https:\/\/eliz.vision\/\"><span><\/span><span>Home<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/work\"><span><\/span><span>Work<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/entertainment\"><span><\/span><span>Entertainment<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/about\"><span><\/span><span>About<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/blog\"><span><\/span><span>Feed<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/podcast\"><span><\/span><span>Podcast<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/contact\"><span><\/span><span>Contact<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/shop\"><span><\/span><span>Shop<\/span><\/a><i>\/<\/i><\/li>\n<p><!--]--><\/ul>\n<div>\n<p><em>\/<\/em> Let&#8217;s Talk<\/p>\n<p><a href=\"mailto:info@thelinestudio.com\" rel=\"noopener noreferrer\" target=\"_self\"><span>info@thelinestudio.com <!--&gt;<\/span><\/a><\/div>\n\n\n\n<figure><img alt=\"\" width=\"780\" height=\"912\"><\/figure>\n\n<\/div>\n\n<\/nav>\n\n<\/header>\n\n\n\n<div>\n\n<div><span>00<\/span><i>\/<\/i><span>24<\/span><span>\u00a0fps<\/span><\/div>\n\n\n\n<div><span><\/span><\/div>\n\n<\/div>\n\n--><\/p>\n<div><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<div data-v-b402eb9f>\n<div data-v-b402eb9f>\n<div data-v-b402eb9f><!--[--><\/p>\n<div>\n<div>\n<div>\n<figure><img alt=\"\" width=\"1920\" height=\"1080\"><\/figure>\n<\/div>\n<div><span><\/span><span><\/span><\/div>\n<div>\n<div>\n<div>\n<div>\n<p>24FPS <span><em>\/<\/em>\u00a01:39<\/span><\/p>\n<ul><!--[--><\/p>\n<li>Branded<\/li>\n<p><!--]--><\/ul>\n<p><span><\/span>1:39<\/p>\n<p>December \u201824<\/p>\n<p>THE LINE \u00a9 MMXXVI<\/p>\n<\/div>\n<h1><span> The Hex <em>\/<\/em> Warframe: 1999<\/span><\/h1>\n<div><button><span>The Crew <!--&gt;<\/span><\/button><\/div>\n\n<button><\/button><\/div>\n\n\n\n<div>[--><!--]--><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><!--&gt;<span><\/span>]--><\/div>\n<\/div>\n<div data-v-b402eb9f>\n<div>\n<div>\n<h3><span>A haunting narrative of six Protoframes facing off against a Technocyte infestation<\/span><\/h3>\n<h2><span>\/\u00a0<\/span>Behind the line<\/h2>\n<\/div>\n<ul><!--[--><\/p>\n<li>\n<p>DIRECTOR<\/p>\n<p><span><!--[--><a href=\"https:\/\/eliz.vision\/work\">Venla Linna<\/a><!--]--><\/span><\/li>\n<li>\n<p>CLIENT<\/p>\n<p><span><\/p>\n<p>Digital Extremes<\/p>\n<p><\/span><\/li>\n<p><!--]--><\/ul>\n<\/div>\n<div><!--[--><\/p>\n<figure>\n<div><video playsinline muted autoplay loop><\/video><\/div>\n<\/figure>\n<p><button><!--[--><!--]--><\/button><\/p>\n<div><\/div>\n<div>\n<div> The Hex \/ Warframe: 1999<\/div>\n<p><span><\/span> 1:39<\/p>\n<p>THE LINE \u00a9 MMXXVI<\/p>\n<div>Play<\/div>\n<\/div>\n<div>\n<div><video playsinline controls autoplay><\/video><\/div>\n<\/div>\n<p><span><\/span><!--]--><\/div>\n<div>\n<div>\n<h2><span>\/\u00a0<\/span>OVERVIEW<\/h2>\n<div>\n<p>The film follows the &#8220;Protoframes&#8221; doing battle against an army of Tecnocytes. We wanted to represent the characters as human beings; individuals with history and emotion who face a future of sacrifice to infestation, forced to work together with people they don\u2019t trust to survive.\u00a0This felt different to us than a typical game cinematic trailer where the focus usually falls on character archetypes like who\u2019s the strong one, who\u2019s the smart one etc. Instead, the piece focuses on the character relationships rather than the action nodding to the kind of narrative you can expect in the game!<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div data-v-b402eb9f><!--[--><\/p>\n<div><!--[--><\/p>\n<figure><img alt=\"\" width=\"1920\" height=\"1080\"><\/figure>\n<p><!--]--><\/div>\n<div>\n<h2><span>\/\u00a0<\/span>Modelsheets<\/h2>\n<div>\n<div><!--[--><\/p>\n<figure><img alt=\"\" width=\"3840\" height=\"2160\"><!--&gt;<\/figure>\n\n\n\n<figure><img alt=\"\" width=\"3840\" height=\"2160\">--><\/figure>\n<figure><img alt=\"\" width=\"3840\" height=\"2160\"><!--&gt;<\/figure>\n\n\n\n<figure><img alt=\"\" width=\"3840\" height=\"2160\">--><\/figure>\n<figure><img alt=\"\" width=\"3840\" height=\"2160\"><!--&gt;<\/figure>\n\n]--><\/div>\n<\/div>\n<\/div>\n<div><!--[--><\/p>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<p><!--]--><\/div>\n<div>\n<div>\n<div>\n<div>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<\/div>\n<\/div>\n<aside><!--[--><button><\/p>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<p><\/button><button><\/p>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<p><\/button><button><\/p>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<p><\/button><button><\/p>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<p><\/button><!--]--><\/aside>\n<p><!--&gt;<\/div>\n\n\n\n<div>\n\n<ul><span><\/span>[--><\/p>\n<li><button><span>01<\/span><span>THELINE\/1999<\/span><span>THELINE\/TH\/W1\/THELINE\/1999.JPG<\/span><\/button><\/li>\n<li><button><span>02<\/span><span>THELINE\/1999<\/span><span>THELINE\/TH\/W1\/THELINE\/1999.JPG<\/span><\/button><\/li>\n<li><button><span>03<\/span><span>THELINE\/1999<\/span><span>THELINE\/TH\/W1\/THELINE\/1999.PNG<\/span><\/button><\/li>\n<li><button><span>04<\/span><span>THELINE\/1999<\/span><span>THELINE\/TH\/W1\/THELINE\/1999.JPG<\/span><\/button><\/li>\n<p><!--]--><\/ul>\n<\/div>\n<p><span><\/span><\/div>\n<div><!--[--><!--[--><\/p>\n<figure><img alt=\"\" width=\"3508\" height=\"2480\"><\/figure>\n<figure><img alt=\"\" width=\"3508\" height=\"2480\"><\/figure>\n<p><!--]--><!--]--><\/div>\n<div><!--[--><\/p>\n<figure><img alt=\"\" width=\"1920\" height=\"1080\"><!--&gt;<\/figure>\n\n\n\n<figure><img alt=\"\" width=\"1920\" height=\"1080\">--><\/figure>\n<p><!--]--><\/div>\n<div><!--[--><\/p>\n<figure><img alt=\"\" width=\"1920\" height=\"1080\"><\/figure>\n<p><!--]--><\/div>\n<div>\n<h2><span>\/\u00a0<\/span>Behind The Curtain<\/h2>\n<h3><span>The Crew<\/span><\/h3>\n<\/div>\n<div>\n<p><b>\u25cf Director<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Venla Linna\u00a0\u00a0<\/span><b>\u25cf Director Cover<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Louve Karnas\u00a0<\/span><b>\u25cf Producer<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Tom Kay\u00a0<\/span><b>\u25cf Pitch Producer<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Luke Jones\u00a0<\/span><b>\u25cf Art Director<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Simon Dumonceau\u00a0<\/span><b>\u25cf Production Manager<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Michaela Dede\u00a0<\/span><b>\u25cf Production Coordinator<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Viktoria Milcheva\u00a0<\/span><b>\u25cf Animation Lead<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Alvise Zennaro\u00a0<\/span><b>\u25cf Compositing Lead<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Clarisse Valeix\u00a0<\/span><b>\u25cf CG Lead<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Pete Addington\u00a0<\/span><b>\u25cf FX Lead<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Olivier Malric\u00a0<\/span><b>\u25cf Clean Up Lead<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Eleonora Quario\u00a0<\/span><b>\u25cf Production Assistant<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Bingqi Liu\u00a0<\/span><b>\u25cf Executive Creative Director<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Tim McCourt\u00a0<\/span><b>\u25cf Executive Producer<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Laura Breaden\u00a0<\/span><b>\u25cf Head of Production<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Nick Miller\u00a0<\/span><b>\u25cf Head of Animation<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Yino Huan\u00a0<\/span><b>\u25cf Head of Compositing<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Freddie Lewis-Wall\u00a0<\/span><b>\u25cf Head of Art<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Juancho Crespo\u00a0<\/span><b>\u25cf Head of CG<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Pete Addington\u00a0<\/span><b>\u25cf Talent &amp; Scheduling Coordinator<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Jesus Ovejero\u00a0<\/span><i>\/<\/i><span>\u00a0Viktoria Milcheva\u00a0<\/span><b>\u25cf Beatboards<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Simon LeClerc\u00a0<\/span><i>\/<\/i><span>\u00a0Julien Perron\u00a0<\/span><b>\u25cf Lead Storyboard<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Louve Karnas\u00a0<\/span><b>\u25cf Storyboard<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Alvise Zennaro\u00a0<\/span><b>\u25cf Edit<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Venla Linna\u00a0<\/span><i>\/<\/i><span>\u00a0Louve Karnas\u00a0<\/span><b>\u25cf Edit Assist<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Viktoria Milcheva\u00a0<\/span><b>\u25cf Concepts<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Paul Sabado\u00a0<\/span><i>\/<\/i><span>\u00a0Simon Dumonceau\u00a0<\/span><b>\u25cf Colour Script<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Simon Dumonceau\u00a0<\/span><b>\u25cf Styleframe Background Layout<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Simon Masse\u00a0<\/span><i>\/<\/i><span>\u00a0Simon Dumonceau\u00a0<\/span><b>\u25cf Styleframe Background Paint<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Paul Sabado\u00a0<\/span><i>\/<\/i><span>\u00a0Simon Dumonceau\u00a0<\/span><b>\u25cf Styleframe Character Layout<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Venla Linna\u00a0<\/span><b>\u25cf Styleframe Clean Up<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Yino Huan\u00a0<\/span><b>\u25cf Styleframe Compositing<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Freddie Lewis Wall\u00a0<\/span><b>\u25cf Character Design<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Simon Takerkart\u00a0<\/span><i>\/<\/i><span>\u00a0Masha Moran\u00a0<\/span><i>\/<\/i><span>\u00a0Venla Linna\u00a0<\/span><b>\u25cf Modelsheets &amp; Cleanup<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Masha Moran\u00a0<\/span><i>\/<\/i><span>\u00a0Jacob Matthess\u00a0<\/span><b>\u25cf 3D Retopology (asset)<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Matt Clark\u00a0<\/span><b>\u25cf 3D Animation (shot)<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Pete Addington\u00a0<\/span><b>\u25cf Character Layout<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Masha Moran\u00a0<\/span><i>\/<\/i><span>\u00a0Lea Rey Mauzaize\u00a0<\/span><i>\/<\/i><span>\u00a0Colin Tan\u00a0<\/span><i>\/<\/i><span>\u00a0Simon Takerkart\u00a0<\/span><i>\/<\/i><span>\u00a0Venla Linna\u00a0<\/span><b>\u25cf Animation<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Alvise Zennaro\u00a0<\/span><i>\/<\/i><span>\u00a0Gaelie Thierry\u00a0<\/span><i>\/<\/i><span>\u00a0Pierre Rougemont\u00a0<\/span><i>\/<\/i><span>\u00a0Martin Hultman\u00a0<\/span><i>\/<\/i><span>\u00a0Jamie Merry\u00a0<\/span><i>\/<\/i><span>\u00a0Jacob Matthess\u00a0<\/span><i>\/<\/i><span>\u00a0Stephan Nikitin\u00a0<\/span><b>\u25cf FX Animation<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Olivier Malric\u00a0<\/span><i>\/<\/i><span> Paul Bouchart <\/span><i>\/<\/i><span>\u00a0Erwin Rieffel\u00a0<\/span><b>\u25cf Animation Assist<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Eleonora Quario\u00a0<\/span><i>\/<\/i><span>\u00a0Seti Erfan\u00a0<\/span><i>\/<\/i><span>\u00a0Kamila Konczewska\u00a0<\/span><i>\/<\/i><span>\u00a0Daniel Morales\u00a0<\/span><b>\u25cf Cleanup and Colour Outsource<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Studio AMIX\u00a0<\/span><b>\u25cf Background Layout<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Simon Dumonceau\u00a0<\/span><i>\/<\/i><span>\u00a0Simon Masse\u00a0<\/span><i>\/<\/i><span>\u00a0Jerome Perrillat-Collom\u00a0<\/span><b>\u25cf Background Paint<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Simon Dumonceau\u00a0<\/span><i>\/<\/i><span>\u00a0Jerome Perrillat-Collom\u00a0<\/span><i>\/<\/i><span>\u00a0Paul Sabado\u00a0<\/span><b>\u25cf Compositing<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Clarisse Valeix\u00a0<\/span><i>\/<\/i><span>\u00a0Natasha Francis\u00a0<\/span><i>\/<\/i><span>\u00a0Florian Ojeda\u00a0<\/span><i>\/<\/i><span>\u00a0Skye van der Walt\u00a0<\/span><i>\/<\/i><span>\u00a0Lucie Arnaud\u00a0<\/span><b>\u25cf Colour Grade<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Natasha Francis\u00a0<\/span><i>\/<\/i><span>\u00a0Time Based Arts\u00a0<\/span><b>\u25cf Colourist<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0TBA\u00a0<\/span><i>\/<\/i><span>\u00a0Dani Rotaru\u00a0<\/span><b>\u25cf Music<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Digital Extremes\u00a0<\/span><b>\u25cf Sound Design &amp; Mix<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Box of Toys\u00a0<\/span><b>\u25cf Head of Operations<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Anna Degenaar\u00a0<\/span><b>\u25cf Studio Coordinator<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Sophia Moulding\u00a0<\/span><b>\u25cf Marketing Manager<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Ella Johnston\u00a0<\/span><b>\u25cf IT Support<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Rob Riley (Gal Consultancy)\u00a0<\/span><b>\u25cf Pipeline Developer<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0Ynput<\/span><\/p>\n<\/div>\n<p><!--]--><\/div>\n<footer data-v-b402eb9f><a href=\"https:\/\/eliz.vision\/work\/monsters-we-make\"><\/p>\n<div> Next <\/div>\n<div>\n<div>\n<figure><img alt=\"\" width=\"3840\" height=\"2160\"><\/figure>\n<div>\n<div>\n<div>\n<p>24 FPS <span><em>\/<\/em>\u00a01.09<\/span><\/p>\n<ul><!--[--><\/p>\n<li>Branded<\/li>\n<p><!--]--><\/ul>\n<p><span><\/span>1.09<\/p>\n<p>December \u201824<\/p>\n<p>THE LINE \u00a9 MMXXVI<\/p>\n<\/div>\n<h2><span>Monsters We Make <\/span><\/h2>\n<div><button><span>The Crew <!--&gt;<\/span><\/button><\/div>\n\n<button><\/button><\/div>\n\n<\/div>\n\n<span><\/span><\/div>\n\n<\/div>\n\n<\/a><\/footer>\n\n\n\n<div data-v-b402eb9f><button><span><\/span><span>Director's Notes<\/span><\/button><\/div>\n\n--><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A haunting narrative of six Protoframes facing off against a Technocyte infestation.<\/p>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","eliz_project_type":[16],"eliz_director":[47],"class_list":["post-164","eliz_project","type-eliz_project","status-publish","hentry","eliz_project_type-entertainment","eliz_director-venla-linna"],"_links":{"self":[{"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_project\/164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_project"}],"about":[{"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/types\/eliz_project"}],"version-history":[{"count":0,"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_project\/164\/revisions"}],"wp:attachment":[{"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/media?parent=164"}],"wp:term":[{"taxonomy":"eliz_project_type","embeddable":true,"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_project_type?post=164"},{"taxonomy":"eliz_director","embeddable":true,"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_director?post=164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}