{"id":157,"date":"2026-07-31T08:16:43","date_gmt":"2026-07-31T08:16:43","guid":{"rendered":"https:\/\/eliz.vision\/index.php\/work\/spirit-blossom-beyond\/"},"modified":"2026-07-31T08:16:43","modified_gmt":"2026-07-31T08:16:43","slug":"spirit-blossom-beyond","status":"publish","type":"eliz_project","link":"https:\/\/eliz.vision\/index.php\/work\/spirit-blossom-beyond\/","title":{"rendered":"Here, Tomorrow"},"content":{"rendered":"<header>\n<div><a href=\"https:\/\/eliz.vision\/\"><\/a><\/div>\n<p><span><\/span><\/p>\n<p><span>London, England<\/span><a href=\"mailto:info@thelinestudio.com\">info@thelinestudio.com<\/a><\/p>\n<p><button><\/button><\/p>\n<nav>\n<div>\n<ul><!--[--><\/p>\n<li><a href=\"https:\/\/eliz.vision\/\"><span><\/span><span>Home<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/work\"><span><\/span><span>Work<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/entertainment\"><span><\/span><span>Entertainment<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/about\"><span><\/span><span>About<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/blog\"><span><\/span><span>Feed<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/podcast\"><span><\/span><span>Podcast<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/contact\"><span><\/span><span>Contact<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/shop\"><span><\/span><span>Shop<\/span><\/a><i>\/<\/i><\/li>\n<p><!--]--><\/ul>\n<div>\n<p><em>\/<\/em> Let&#8217;s Talk<\/p>\n<p><a href=\"mailto:info@thelinestudio.com\" rel=\"noopener noreferrer\" target=\"_self\"><span>info@thelinestudio.com <!--&gt;<\/span><\/a><\/div>\n\n\n\n<figure><img alt=\"\" width=\"780\" height=\"912\"><\/figure>\n\n<\/div>\n\n<\/nav>\n\n<\/header>\n\n\n\n<div>\n\n<div><span>00<\/span><i>\/<\/i><span>24<\/span><span>\u00a0fps<\/span><\/div>\n\n\n\n<div><span><\/span><\/div>\n\n<\/div>\n\n--><\/p>\n<div><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<div data-v-b402eb9f>\n<div data-v-b402eb9f>\n<div data-v-b402eb9f><!--[--><\/p>\n<div>\n<div>\n<div>\n<figure><img alt=\"\" width=\"3072\" height=\"1306\"><\/figure>\n<\/div>\n<div><span><\/span><span><\/span><\/div>\n<div>\n<div>\n<div>\n<div>\n<p>24FPS <span><em>\/<\/em>\u00a003:08<\/span><\/p>\n<ul><!--[--><\/p>\n<li>Branded<\/li>\n<p><!--]--><\/ul>\n<p><span><\/span>03:08<\/p>\n<p>April \u201825<\/p>\n<p>THE LINE \u00a9 MMXXVI<\/p>\n<\/div>\n<h1><span>Here, Tomorrow<\/span><\/h1>\n<div><button><span>The Crew <!--&gt;<\/span><\/button><\/div>\n\n<button><\/button><\/div>\n\n\n\n<div>[--><!--]--><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><!--&gt;<span><\/span>]--><\/div>\n<\/div>\n<div data-v-b402eb9f>\n<div>\n<div>\n<h3><span>This piece is more than just a celebration of new in-game content. It\u2019s a cinematic journey into a<br \/>\nrichly imagined universe.<\/span><\/h3>\n<h2><span>\/\u00a0<\/span>Behind the line<\/h2>\n<\/div>\n<ul><!--[--><\/p>\n<li>\n<p>Director<\/p>\n<p><span><!--[--><a href=\"https:\/\/eliz.vision\/work\">Antoine Perez<\/a><a href=\"https:\/\/eliz.vision\/work\">Sam Taylor<\/a><!--]--><\/span><\/li>\n<li>\n<p>Client<\/p>\n<p><span><\/p>\n<p>Riot Games<\/p>\n<p><\/span><\/li>\n<p><!--]--><\/ul>\n<\/div>\n<div><!--[--><\/p>\n<figure>\n<div><video playsinline muted autoplay loop><\/video><\/div>\n<\/figure>\n<p><button><!--[--><!--]--><\/button><\/p>\n<div><\/div>\n<div>\n<div>Here, Tomorrow<\/div>\n<p><span><\/span> 03.08<\/p>\n<p>THE LINE \u00a9 MMXXVI<\/p>\n<div>Play<\/div>\n<\/div>\n<div><!--&gt;<\/div>\n\n<span><\/span>]--><\/div>\n<div>\n<div>\n<h2><span>\/\u00a0<\/span>OVERVIEW<\/h2>\n<div>\n<p>We&#8217;re thrilled to share our latest music video for Riot Games&#8217; League of Legends. At its heart, this film is all about connection, whether it\u2019s families coming together, an ancient culture reconnecting, or two worlds colliding. The collaboration between us and the incredible team at Riot, along with the talented musicians, made this project a true labour of love.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div data-v-b402eb9f><!--[--><\/p>\n<div><!--[--><\/p>\n<figure><img alt=\"\" width=\"2496\" height=\"1404\"><\/figure>\n<p><!--]--><\/div>\n<div>\n<h2><span>\/\u00a0<\/span>MYTHS<\/h2>\n<div>\n<p>Creating the mythical sequences for this trailer was one of our biggest challenges, but also one of the most rewarding. We aimed to capture the timeless feel of Japanese woodblock prints while making the visuals stand out from the rest of the film. It took a lot of R&amp;D, but we\u2019re so proud of how it turned out! In sequences featuring characters like Ashe and Lux, we leaned further into this duality. Ashe\u2019s scenes through mythic Ionia were designed to feel like stepping into a living storybook -fluid, vibrant, and filled with motion. Lux\u2019s sequence, centered around the motif of light, used heavily textured animation, visually representing her connection to the spirit world and the tension within it.<\/p>\n<\/div>\n<\/div>\n<div>\n<div>\n<div>\n<div>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<\/div>\n<\/div>\n<aside><!--[--><button><\/p>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<p><\/button><button><\/p>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<p><\/button><button><\/p>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<p><\/button><button><\/p>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<p><\/button><button><\/p>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><\/figure>\n<p><\/button><!--]--><\/aside>\n<p><!--&gt;<\/div>\n\n\n\n<div>\n\n<ul><span><\/span>[--><\/p>\n<li><button><span>01<\/span><span>ASHE<\/span><span>THELINE\/HT\/ASHE.JPEG<\/span><\/button><\/li>\n<li><button><span>02<\/span><span>ASHE<\/span><span>THELINE\/HT\/ASHE.JPEG<\/span><\/button><\/li>\n<li><button><span>03<\/span><span>ASHE<\/span><span>THELINE\/HT\/ASHE.JPEG<\/span><\/button><\/li>\n<li><button><span>04<\/span><span>ASHE<\/span><span>THELINE\/HT\/ASHE.JPEG<\/span><\/button><\/li>\n<li><button><span>05<\/span><span>ASHE<\/span><span>THELINE\/HT\/ASHE.JPEG<\/span><\/button><\/li>\n<p><!--]--><\/ul>\n<\/div>\n<p><span><\/span><\/div>\n<div>\n<h2><span>\/\u00a0<\/span>MODELSHEETS<\/h2>\n<div>\n<div><!--[--><\/p>\n<figure><img alt=\"\" width=\"3840\" height=\"2160\"><!--&gt;<\/figure>\n\n\n\n<figure><img alt=\"\" width=\"3840\" height=\"2160\">--><\/figure>\n<figure><img alt=\"\" width=\"3840\" height=\"2160\"><!--&gt;<\/figure>\n\n\n\n<figure><img alt=\"\" width=\"3840\" height=\"2160\">--><\/figure>\n<figure><img alt=\"\" width=\"3840\" height=\"2160\"><!--&gt;<\/figure>\n\n\n\n<figure><img alt=\"\" width=\"3418\" height=\"1922\">--><\/figure>\n<figure><img alt=\"\" width=\"3840\" height=\"2160\"><!--&gt;<\/figure>\n\n]--><\/div>\n<\/div>\n<\/div>\n<div><!--[--><!--[--><\/p>\n<figure><img alt=\"\" width=\"3072\" height=\"1306\"><\/figure>\n<figure><img alt=\"\" width=\"3072\" height=\"1306\"><\/figure>\n<p><!--]--><!--]--><\/div>\n<div>\n<h2><span>\/\u00a0<\/span>LEGENDS<\/h2>\n<div>\n<p>In Ionia, myths are tucked into every corner of the landscape. We wanted the natural beauty to do more than just set the scene; we wanted it to open doors to something older, stranger, and more magical.<\/p>\n<\/div>\n<\/div>\n<div><!--[--><\/p>\n<figure><img alt=\"\" width=\"3072\" height=\"1306\"><\/figure>\n<p><!--]--><\/div>\n<div>\n<h2><span>\/\u00a0<\/span>Spirit Blossom Beyond<\/h2>\n<h3><span>A New Battlefield <\/span><\/h3>\n<\/div>\n<div>\n<div><!--[--><\/p>\n<figure><img alt=\"\" width=\"3072\" height=\"1306\"><\/figure>\n<p><button><!--[--><!--]--><\/button><\/p>\n<div><\/div>\n<div>\n<div>24fps<\/div>\n<p><span><\/span> 0.35<\/p>\n<p>THE LINE \u00a9 MMXXVI<\/p>\n<div>Play<\/div>\n<\/div>\n<div><!--&gt;<\/div>\n\n<span><\/span>]--><\/div>\n<\/div>\n<div>\n<h2><span>\/\u00a0<\/span>a new battlefield <\/h2>\n<div>\n<p>In this continuation of &#8216;Here, Tomorrow&#8217;, we return to the &#8216;Spirit Blossom&#8217; festival in Ionia but this time, something darker has taken root&#8230;<\/p>\n<\/div>\n<\/div>\n<div><!--[--><\/p>\n<figure><img alt=\"\" width=\"3373\" height=\"2187\"><!--&gt;<\/figure>\n\n\n\n<figure><img alt=\"\" width=\"3072\" height=\"1306\">--><\/figure>\n<p><!--]--><\/div>\n<div><!--[--><\/p>\n<figure><img alt=\"\" width=\"3072\" height=\"1306\"><\/figure>\n<p><!--]--><\/div>\n<div><!--&gt;\n\n<div>\n\n<div>[--><\/p>\n<figure><img alt=\"\" width=\"3840\" height=\"2160\"><!--&gt;<\/figure>\n\n\n\n<figure><img alt=\"\" width=\"3840\" height=\"2160\">--><\/figure>\n<figure><img alt=\"\" width=\"3840\" height=\"2160\"><!--&gt;<\/figure>\n\n]--><\/div>\n<\/div>\n<\/div>\n<div>\n<h2><span>\/\u00a0<\/span>BEHIND THE LINE<\/h2>\n<h3><span>The Crew<\/span><\/h3>\n<\/div>\n<div>\n<p>Here, Tomorrow<\/p>\n<p><strong>\u25cf Production Company<\/strong> \/ THE LINE <strong>\u25cf Director<\/strong> \/ Antoine Perez \/ Sam Taylor <strong>\u25cf Producer<\/strong> \/ Adriana Piasek-Wanski <strong>\u25cf Producer Cover<\/strong> \/ Tom Kay <strong>\u25cf Art Director<\/strong> \/ Antoine Perez \/ Burno Mayor <strong>\u25cf Animation Lead<\/strong> \/ Mourad Sedikki <strong>\u25cf Compositing Lead<\/strong> \/ Antoine Foulot <strong>\u25cf Clean Up &amp; Colour Lead<\/strong> \/ Seti Erfan <strong>\u25cf Production Manager<\/strong> \/ Denise Cirone <strong>\u25cf Production Coordinator &amp; Schedule Assistant<\/strong> \/ Viktoria Milcheva <strong>\u25cf Production Coordinator<\/strong> \/ Daisy Link <strong>\u25cf Production Assistant<\/strong> \/ Bingqi Liu \/ Isabella Fitzsimons <strong>\u25cf Managing Director | Commercials &amp; Branded Content<\/strong> \/ Laura Breaden <strong>\u25cf Executive Creative Director<\/strong> \/ Tim McCourt \/ Wesley Louis <strong>\u25cf Executive Producer<\/strong> \/ Tan Baptista <strong>\u25cf Head of Production<\/strong> \/ Nick Miller <strong>\u25cf Head of Animation<\/strong> \/ Kwok Fung Lam <strong>\u25cf Head of Compositing<\/strong> \/ Freddie Lewis-Wall <strong>\u25cf Head of Art<\/strong> \/ Juancho Crespo <strong>\u25cf Head of CG<\/strong> \/ Pete Addington <strong>\u25cf Talent &amp; Scheduling Coordinator<\/strong> \/ Jesus Ovejero <strong>\u25cf Talent &amp; Scheduling Coordinator Assistant<\/strong> \/ Viktoria Milcheva <strong>\u25cf Storyboard<\/strong> \/ Ricard Ubach \/ Kevin Molina-Ortiz \/ Neil Dieu <strong>\u25cf Editor<\/strong> \/ William Barnett \/ Sam Taylor \/ Jamie Rathbone \/ Antoine Perez <strong>\u25cf Concepts<\/strong> \/ Daniel Clarke \/ Rudy Parfaite \/ Florian Perron \/ Neil Dieu \/ Dan Converio \/ Michael Shorten \/ Eido Hayashi \/ Antonio Reinhard-Wisesa \/ Emmanuelle Walker \/ Wednesday Studio <strong>\u25cf Colour Script<\/strong> \/ Daniel Clarke <strong>\u25cf Character Design<\/strong> \/ Saskia Gutekunst \/ Lea Rey-Mauzaize <strong>\u25cf Modelsheets &amp; Cleanup<\/strong> \/ Mourad Sedikki \/ Omar Alsuk (onasugar) <strong>\u25cf Character Layout<\/strong> \/ Saskia Gutekunst \/ Marta Andreeva \/ Andrea Gulli \/ Mourad Sedikki \/ Kathryn Layno <strong>\u25cf Animation<\/strong> \/ Mourad Sedikki \/ Antoine Tran \/ Ricard Ubach \/ Florian de Chelle \/ Jose Luis Rosado \/ Zo\u00e9 Palaisie \/ Pierre Rutz \/ Neil Dieu \/ Tamas Pazmany \/ Kwok Fung Lam <strong>\u25cf FX Animation<\/strong> \/ Olivier Malric \/ Jonghyun Jungboix \/ Christophe Madeleine \/ Kerim Turmer \/ Paul Bouchart <strong>\u25cf Motion Graphics<\/strong> \/ Pablo Lozano \/ Joseph Clark <strong>\u25cf Animation Assist<\/strong> \/ Seti Erfan \/ Daniel Morales \/ Kat Michaelides \/ Elenora Quario \/ Kwok Fung Lam \/ Bingqi Liu <strong>\u25cf Cleanup and Colour Outsource<\/strong> \/ Studio AMIX <strong>\u25cf Background Layout<\/strong> \/ Simon Masse \/ C\u00e9sar Chevalier \/ Thomas Reutena <strong>\u25cf Background<\/strong> \/ Igor Piwowarczyk \/ Eido Hayashi \/ Daniel Clarke \/ Luc Courtois <strong>\u25cf CG Supervisor<\/strong> \/ Pete Addington <strong>\u25cf 3D Generalist<\/strong> \/ Andrey Kolesov <strong>\u25cf Compositing<\/strong> \/ Antoine Foulot \/ Natasha Francis \/ Skye van der Walt \/ Marco Antoinio de Silva \/ Florian Ojeda Diop \/ Abel Kohen \/ Clarisse Valeix \/ Freddie Lewis Wall \/ Joseph Clark <strong>\u25cf Colour Grade<\/strong> \/ Freddie Lewis Wall <strong>\u25cf Edit Assistant<\/strong> \/ Bingqi Liu \/ Isabella Fitzsimons \/ Viktoria Milcheva <strong>\u25cf Sound Design &amp; Mix<\/strong> \/ <strong>\u25cf Head of Operations<\/strong> \/ Anna Degenaar <strong>\u25cf Studio Coordinator<\/strong> \/ Sophia Owen-Moulding <strong>\u25cf Marketing Manager<\/strong> \/ Ella Johnston <strong>\u25cf IT Support<\/strong> \/ Rob Riley (Gal Consultancy) <strong>\u25cf Pipeline Developer<\/strong> \/ Ynput<\/p>\n<p><strong><\/strong><\/p>\n<p>A New Battlefield<\/p>\n<p><strong>\u25cf Production Company<\/strong> \/ THE LINE <strong>\u25cf Director<\/strong> \/ Antoine Perez \/ Sam Taylor <strong>\u25cf Producer<\/strong> \/ Adriana Piasek-Wanski <strong>\u25cf Producer Cover<\/strong> \/ Lau Hancock \/ Tom Kay <strong>\u25cf Executive Producer<\/strong> \/ Tan Jones <strong>\u25cf Executive Creative Director<\/strong> \/ Tim McCourt <strong>\u25cf Managing Director | Commercials &amp; Branded Content<\/strong> \/ Laura Breaden <strong>\u25cf Head of Production<\/strong> \/ Nick Miller <strong>\u25cf Head of Animation<\/strong> \/ Kwok Fung Lam <strong>\u25cf Head of Compositing<\/strong> \/ Freddie Lewis-Wall <strong>\u25cf Head of Art<\/strong> \/ Juancho Crespo <strong>\u25cf Head of CG<\/strong> \/ Pete Addington <strong>\u25cf Art Director<\/strong> \/ Antoine Perez \/ Burno Mayor <strong>\u25cf Story Consultant<\/strong> \/ JuanPe Arroyo <strong>\u25cf Storyboard<\/strong> \/ Louis Kynd \/ Neil Dieu \/ Antoine Perez <strong>\u25cf Concepts<\/strong> \/ Eido Hayashi \/ Antoine Perez \/ Daniel Clarke <strong>\u25cf Colour Script<\/strong> \/ Eido Hayashi \/ Antoine Perez <strong>\u25cf Character Layout<\/strong> \/ Saskia Gutekunst \/ Kathryn Layno <strong>\u25cf Animation Lead<\/strong> \/ Mourad Sedikki \/ Xavier Ramon\u00e8de <strong>\u25cf Animation<\/strong> \/ Ricard Ubach \/ Xavier Ramon\u00e8de \/ Alain Vu <strong>\u25cf FX Animation<\/strong> \/ Olivier Malric \/ Nicola Nikolaos Finizio <strong>\u25cf Cleanup and Colour Lead<\/strong> \/ Eleonora Quario <strong>\u25cf Cleanup and Colour Artist<\/strong> \/ Daniel Morales \/ Kat Michaelides \/ Kamila Konczewska <strong>\u25cf Backgrounds<\/strong> \/ Eido Hayashi \/ Daniel Clarke \/ Antoine Perez <strong>\u25cf CG Supervisor<\/strong> \/ Pete Addington <strong>\u25cf 3D Generalist<\/strong> \/ Andrey Kolesov <strong>\u25cf 3D Light and Render<\/strong> \/ Pete Addington <strong>\u25cf Compositing Lead<\/strong> \/ Antoine Foulot \/ Vincent E Sousa <strong>\u25cf Compositing Animated Backgrounds<\/strong> \/ Antoine Foulot \/ Marco Antonio da Silva <strong>\u25cf Compositing<\/strong> \/ Marco Antonio da Silva \/ Skye van der Walt \/ Freddie Lewis-Wall \/ Mathilde Dourdy \/ Nick Herbert \/ Natasha Francis \/ Lucile Arnaud <strong>\u25cf Colour Grade<\/strong> \/ Skye van der Walt <strong>\u25cf Colour Consultant<\/strong> \/ Max Taylor <strong>\u25cf Production Manager<\/strong> \/ Denise Cirone <strong>\u25cf Production Manager Cover<\/strong> \/ Michaele Dede <strong>\u25cf Production Assistant<\/strong> \/ Bingqi Liu <strong>\u25cf Junior Generalist \/ Edit Assistant<\/strong> \/ Bingqi Liu <strong>\u25cf Talent &amp; Scheduling Coordinator<\/strong> \/ Jesus Ovejero <strong>\u25cf Head of Operations<\/strong> \/ Anna Degenaar <strong>\u25cf Studio Coordinator<\/strong> \/ Sophia Owen-Moulding <strong>\u25cf Marketing Manager<\/strong> \/ Ella Johnston <strong>\u25cf IT Support<\/strong> \/ Rob Riley (Gal Consultancy) <strong>\u25cf Pipeline Developer<\/strong> \/ Ynput<\/p>\n<\/div>\n<p><!--]--><\/div>\n<footer data-v-b402eb9f><a href=\"https:\/\/eliz.vision\/work\/transformers\"><\/p>\n<div> Next <\/div>\n<div>\n<div>\n<figure><img alt=\"\" width=\"3840\" height=\"2160\"><\/figure>\n<div>\n<div>\n<div>\n<p>24fps <span><em>\/<\/em>\u00a01:22<\/span><\/p>\n<ul><!--[--><\/p>\n<li>Branded<\/li>\n<p><!--]--><\/ul>\n<p><span><\/span>1:22<\/p>\n<p>July \u201824<\/p>\n<p>THE LINE \u00a9 MMXXVI<\/p>\n<\/div>\n<h2><span>Overwatch 2 x Transformers<\/span><\/h2>\n<div><button><span>The Crew <!--&gt;<\/span><\/button><\/div>\n\n<button><\/button><\/div>\n\n<\/div>\n\n<span><\/span><\/div>\n\n<\/div>\n\n<\/a><\/footer>\n\n\n\n<div data-v-b402eb9f><button><span><\/span><span>Director's Notes<\/span><\/button><\/div>\n\n--><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Our latest work for Riot Games&#8217; League of Legends where Ionia and the spirit world collide<\/p>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","eliz_project_type":[16],"eliz_director":[54],"class_list":["post-157","eliz_project","type-eliz_project","status-publish","hentry","eliz_project_type-entertainment","eliz_director-antoine-perezsam-taylor"],"_links":{"self":[{"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_project\/157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_project"}],"about":[{"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/types\/eliz_project"}],"version-history":[{"count":0,"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_project\/157\/revisions"}],"wp:attachment":[{"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/media?parent=157"}],"wp:term":[{"taxonomy":"eliz_project_type","embeddable":true,"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_project_type?post=157"},{"taxonomy":"eliz_director","embeddable":true,"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_director?post=157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}