{"id":123,"date":"2026-07-31T08:16:09","date_gmt":"2026-07-31T08:16:09","guid":{"rendered":"https:\/\/eliz.vision\/index.php\/work\/freeview-set-yourself-free\/"},"modified":"2026-07-31T08:16:09","modified_gmt":"2026-07-31T08:16:09","slug":"freeview-set-yourself-free","status":"publish","type":"eliz_project","link":"https:\/\/eliz.vision\/index.php\/work\/freeview-set-yourself-free\/","title":{"rendered":"Freeview \/ Set yourself free"},"content":{"rendered":"<header>\n<div><a href=\"https:\/\/eliz.vision\/\"><\/a><\/div>\n<p><span><\/span><\/p>\n<p><span>London, England<\/span><a href=\"mailto:info@thelinestudio.com\">info@thelinestudio.com<\/a><\/p>\n<p><button><\/button><\/p>\n<nav>\n<div>\n<ul><!--[--><\/p>\n<li><a href=\"https:\/\/eliz.vision\/\"><span><\/span><span>Home<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/work\"><span><\/span><span>Work<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/entertainment\"><span><\/span><span>Entertainment<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/about\"><span><\/span><span>About<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/blog\"><span><\/span><span>Feed<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/podcast\"><span><\/span><span>Podcast<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/contact\"><span><\/span><span>Contact<\/span><\/a><i>\/<\/i><\/li>\n<li><a href=\"https:\/\/eliz.vision\/shop\"><span><\/span><span>Shop<\/span><\/a><i>\/<\/i><\/li>\n<p><!--]--><\/ul>\n<div>\n<p><em>\/<\/em> Let&#8217;s Talk<\/p>\n<p><a href=\"mailto:info@thelinestudio.com\" rel=\"noopener noreferrer\" target=\"_self\"><span>info@thelinestudio.com <!--&gt;<\/span><\/a><\/div>\n\n\n\n<figure><img alt=\"\" width=\"780\" height=\"912\"><\/figure>\n\n<\/div>\n\n<\/nav>\n\n<\/header>\n\n\n\n<div>\n\n<div><span>00<\/span><i>\/<\/i><span>24<\/span><span>\u00a0fps<\/span><\/div>\n\n\n\n<div><span><\/span><\/div>\n\n<\/div>\n\n--><\/p>\n<div><\/div>\n<div>\n<div>\n<div><\/div>\n<\/div>\n<\/div>\n<div data-v-b402eb9f>\n<div data-v-b402eb9f>\n<div data-v-b402eb9f><!--[--><\/p>\n<div>\n<div>\n<div>\n<figure><img alt=\"\" width=\"1920\" height=\"1080\"><\/figure>\n<\/div>\n<div><span><\/span><span><\/span><\/div>\n<div>\n<div>\n<div>\n<div>\n<p>24FPS <span><em>\/<\/em>\u00a02:00<\/span><\/p>\n<ul><!--[--><\/p>\n<li>Branded<\/li>\n<p><!--]--><\/ul>\n<p><span><\/span>2:00<\/p>\n<p>May \u201816<\/p>\n<p>THE LINE \u00a9 MMXXVI<\/p>\n<\/div>\n<h1><span>Freeview <em>\/<\/em> Set yourself free<\/span><\/h1>\n<div><button><span>The Crew <!--&gt;<\/span><\/button><\/div>\n\n<button><\/button><\/div>\n\n\n\n<div>[--><!--]--><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><!--&gt;<span><\/span>]--><\/div>\n<\/div>\n<div data-v-b402eb9f>\n<div>\n<div>\n<h3><span>A series of animated ads that would launch Freeview\u2019s new on-demand service, Freeview Play.<\/span><\/h3>\n<h2><span>\/\u00a0<\/span>Behind the line<\/h2>\n<\/div>\n<ul><!--[--><\/p>\n<li>\n<p>Director<\/p>\n<p><span><!--[--><a href=\"https:\/\/eliz.vision\/work\">Sam Taylor<\/a><a href=\"https:\/\/eliz.vision\/work\">Bjorn Erik-Aschim<\/a><a href=\"https:\/\/eliz.vision\/work\">Sam Brown<\/a><!--]--><\/span><\/li>\n<li>\n<p>Client<\/p>\n<p><span><\/p>\n<p>Freeview<\/p>\n<p><\/span><\/li>\n<p><!--]--><\/ul>\n<\/div>\n<div><!--[--><\/p>\n<figure>\n<div><video playsinline muted autoplay loop><\/video><\/div>\n<\/figure>\n<p><button><!--[--><!--]--><\/button><\/p>\n<div><\/div>\n<div>\n<div>Freeview \/ Set yourself free<\/div>\n<p><span><\/span> 2:00<\/p>\n<p>THE LINE \u00a9 MMXXVI<\/p>\n<div>Play<\/div>\n<\/div>\n<div>\n<div><video playsinline controls autoplay><\/video><\/div>\n<\/div>\n<p><span><\/span><!--]--><\/div>\n<div>\n<div>\n<h2><span>\/\u00a0<\/span>OVERVIEW<\/h2>\n<div>\n<p>This job would be our biggest advertising project to that date, and bring together a team of over 45 artists. The scope of the job was huge, with over 25 unique characters to create, crowd sequences featuring hundreds more, and an entire city to build from scratch. The challenge was daunting, but we jumped at the opportunity to create a world, and tell a story full of characters that people could believe in.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div data-v-b402eb9f><!--[--><\/p>\n<div>\n<figure>\n<div><video playsinline muted autoplay loop><\/video><\/div>\n<\/figure>\n<div>\n<div>\n<h3>Story<\/h3>\n<p>We met with Leo Burnett\u2019s creative team and began the process of fleshing out the story with them. They were extremely open to collaboration, allowing us to bat ideas back and forth and explore various different story avenues. What soon became clear was that the most compelling part of the story was the relationship between the good television, and the girl. Their journey, and their budding friendship provided a counterpoint to the evil regime, and an emotional backbone to our story. We put together an animatic that laid out our vision for the script.<\/p>\n<p>At this point we were joined by\u00a0<a rel=\"noreferrer noopener\" target=\"_blank\" href=\"http:\/\/roguefilms.co.uk\/sam-brown\/director\/\">Sam Brown<\/a>, who became the third director on our team. Sam bought a wealth of experience to bear on the project. His energy, warmth, and a fresh set of eyes were greatly appreciated, and we learned a huge amount from working with him. As well as storyboarding all three of the companion films, Sam helped us extending the launch film from one minute to two, tightening the script and augmenting it with many of his own ideas.<\/p>\n<\/div>\n<p><!--&gt;<\/div>\n\n<\/div>\n\n\n\n<div>\n\n<figure><img alt=\"\" width=\"1920\" height=\"1080\"><\/figure>\n\n\n\n<div>\n\n<div>\n\n<h3>Character Design<\/h3>\n\n\n\n<p>We were extremely lucky to have an incredible team of visual development artists on this job. We had a great number of characters to design in a very short period of time. In all our team ended up producing over 700 individual designs during the period of preproduction. We started with very rough sketches, loose, impressionistic renderings that capture the spirit of a character, their styling and silhouette. This would then be handed to a 3d artist to sculpt, to continue to develop into the final model you see on screen.<\/p>\n\n\n\n\n\n<\/div>\n\n--><\/div>\n<\/div>\n<div>\n<h2><span>\/\u00a0<\/span>The Girl<\/h2>\n<div>\n<p>We knew we needed a character that would be unique, appealing, and instantly recognisable. We got in touch with the extremely talented,\u00a0<a rel=\"noreferrer noopener\" target=\"_blank\" href=\"http:\/\/mwycked.tumblr.com\/\">Manddy Wyckens<\/a>\u00a0who came up with hundreds of different designs for our hero. Manddy&#8217;s loose style and appealing drawings were a perfect starting point for our 3D team. She was able to capture the kindness, sensitivity and the sense of adventure that was needed from our hero.<\/p>\n<\/div>\n<\/div>\n<div>\n<h2><span>\/\u00a0<\/span>Character Exploration<\/h2>\n<div>\n<div><!--[--><\/p>\n<figure><img alt=\"\" width=\"1000\" height=\"1000\"><!--&gt;<\/figure>\n\n\n\n<figure><img alt=\"\" width=\"1000\" height=\"1000\">--><\/figure>\n<figure><img alt=\"\" width=\"686\" height=\"1000\"><!--&gt;<\/figure>\n\n\n\n<figure><img alt=\"\" width=\"1000\" height=\"1000\">--><\/figure>\n<figure><img alt=\"\" width=\"1000\" height=\"1000\"><!--&gt;<\/figure>\n\n\n\n<figure><img alt=\"\" width=\"1000\" height=\"1000\">--><\/figure>\n<p><!--]--><\/div>\n<\/div>\n<\/div>\n<div>\n<figure><img alt=\"\" width=\"1920\" height=\"1080\"><\/figure>\n<div>\n<div>\n<h3>Frederik The Dog<\/h3>\n<p>A loyal companion to our main character, a bundle of joy with a frantic energy and endless curiosity. Manddy Wyckens and 3D modeller extraordinaire, Frederik Storm helped us design this character.<\/p>\n<\/div>\n<p><!--&gt;<\/div>\n\n<\/div>\n\n\n\n<div>\n\n<h2><span>\/\u00a0<\/span>Frederik Exploration<\/h2>\n\n\n\n<div>\n\n<div>[--><\/p>\n<figure><img alt=\"\" width=\"1297\" height=\"1093\"><!--&gt;<\/figure>\n\n\n\n<figure><img alt=\"\" width=\"1348\" height=\"1135\">--><\/figure>\n<figure><img alt=\"\" width=\"1000\" height=\"1000\"><!--&gt;<\/figure>\n\n\n\n<figure><img alt=\"\" width=\"1000\" height=\"1000\">--><\/figure>\n<figure><img alt=\"\" width=\"1000\" height=\"1000\"><!--&gt;<\/figure>\n\n]--><\/div>\n<\/div>\n<\/div>\n<div>\n<figure>\n<div><video playsinline muted autoplay loop><\/video><\/div>\n<\/figure>\n<div>\n<div>\n<h3>Hero TV<\/h3>\n<p>Probably the biggest challenge of all of the characters was this one. What do you do when essentially, your character is one big glowing rectangle. We went through hundreds of different versions of this guy in search for our perfect hero.<\/p>\n<\/div>\n<p><!--&gt;<\/div>\n\n<\/div>\n\n\n\n<div>[--><\/p>\n<figure><img alt=\"\" width=\"2500\" height=\"1520\"><\/figure>\n<p><!--]--><\/div>\n<div>\n<h2><span>\/\u00a0<\/span>BG<\/h2>\n<h3><span>Environments &amp;  Art Direction<\/span><\/h3>\n<\/div>\n<div>\n<figure><img alt=\"\" width=\"1000\" height=\"1000\"><\/figure>\n<div>\n<div>\n<p>For the art direction of the film we wanted something that would combine a charm and handmade quality with a sense of cinematic scale and atmosphere. What we landed on was the idea of replicating a model world inside the computer, complete with all the imperfections of stop motion animation. We had been keen for some time to combine our design skills with Electric Theatre\u2019s uncanny ability to make computer generated things look real, and this project provided the perfect opportunity for us to combine our specialist skills.<\/p>\n<p>While we were pursuing a realistic approach, it was important to us that there was a strong, underlying sense of design throughout. Bjorn-Erik Aschim led the environment design for the project. He developed an aesthetic that caricatured reality with a kind of crooked, off-kilter cartooniness. This aesthetic had to be rolled out, and kept consistent in every detail of the film, from the smallest prop to the largest exterior location.<\/p>\n<p>We were sure that we wanted the environments to have a distinct sense of place. The location of the film had to be set somewhere that felt like a typical mid-size British town. We went to work in earnest assembling all the reference we could find. Luckily for us we were designing a world that looked very similar to the world on our doorstep, we started noticing the world around us with greater detail than before. Journeys to and from work became research trips, as we snapped images of victorian terraces, post boxes, lamp posts, cars, busses, and trees.<\/p>\n<\/div>\n<p><!--&gt;<\/div>\n\n<\/div>\n\n\n\n<div>[--><!--[--><\/p>\n<figure><img alt=\"\" width=\"1500\" height=\"1323\"><\/figure>\n<figure><img alt=\"\" width=\"1500\" height=\"834\"><\/figure>\n<p><!--]--><!--]--><\/div>\n<div>\n<div>\n<div>\n<div>\n<figure><img alt=\"\" width=\"1000\" height=\"512\"><\/figure>\n<figure><img alt=\"\" width=\"2500\" height=\"1280\"><\/figure>\n<figure><img alt=\"\" width=\"1280\" height=\"720\"><\/figure>\n<figure><img alt=\"\" width=\"1717\" height=\"1406\"><\/figure>\n<\/div>\n<\/div>\n<aside><!--[--><button><\/p>\n<figure><img alt=\"\" width=\"1000\" height=\"512\"><\/figure>\n<p><\/button><button><\/p>\n<figure><img alt=\"\" width=\"2500\" height=\"1280\"><\/figure>\n<p><\/button><button><\/p>\n<figure><img alt=\"\" width=\"1280\" height=\"720\"><\/figure>\n<p><\/button><button><\/p>\n<figure><img alt=\"\" width=\"1717\" height=\"1406\"><\/figure>\n<p><\/button><!--]--><\/aside>\n<p><!--&gt;<\/div>\n\n\n\n<div>\n\n<ul><span><\/span>[--><\/p>\n<li><button><span>01<\/span><span>Ext illustration_01<\/span><span>THELINE\/F\/SYF\/EXT_ILLUSTRATION_01.JPG<\/span><\/button><\/li>\n<li><button><span>02<\/span><span>Ext Illustration_02<\/span><span>THELINE\/F\/SYF\/EXT_ILLUSTRATION_02.JPG<\/span><\/button><\/li>\n<li><button><span>03<\/span><span>Ext Rendering_01<\/span><span>THELINE\/F\/SYF\/EXT_RENDERING_01.JPG<\/span><\/button><\/li>\n<li><button><span>04<\/span><span>Int  Rendering_01<\/span><span>THELINE\/F\/SYF\/INT_ RENDERING_01.JPG<\/span><\/button><\/li>\n<p><!--]--><\/ul>\n<\/div>\n<p><span><\/span><\/div>\n<div><!--[--><\/p>\n<h2><span>\/\u00a0<\/span>Mood and Lighting<\/h2>\n<h3>Colour Keys<\/h3>\n<figure><img alt=\"\" width=\"2000\" height=\"1445\"><\/figure>\n<p><!--]--><\/div>\n<div>\n<h2><span>\/\u00a0<\/span>Behind the curtain<\/h2>\n<h3><span>The Crew<\/span><\/h3>\n<\/div>\n<div>\n<p><b>\u25cf Directors<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Sam Taylor<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Bj\u00f8rn-Erik Aschim<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Sam Brown<span>\u00a0<\/span><b>\u25cf Production<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Serena Noorani<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Kate Hitchings<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Sian Jenkins<span>\u00a0<\/span><b>\u25cf Concept Design<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Bj\u00f8rn-Erik Aschim<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Sam Taylor<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Manddy Wyckens<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Kristian Antonelli<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>S\u00e9bastien Iglesias<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Neil Ross<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Wesley Louis<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Jonathan Djob Nkondo<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>James Hatley<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Tom Flavelle<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Fr\u00e9derik Storm<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Mike Shorten<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Sylvain Marc<span>\u00a0<\/span><b>\u25cf Reference<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Max Taylor<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>George Wheeler<span>\u00a0<\/span><b>\u25cf Animatic<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Adam Jeffcoate<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Guillaume Cassuto<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Sylvain Marc<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>James Duveen<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>James Hatley<span>\u00a0<\/span><b>\u25cf Compositing Lead<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Taran Spear<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>James Belch<span>\u00a0<\/span><b>\u25cf Flame Assist<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Ant Walsham<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Paul Wilmot<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Andrew Stewart<span>\u00a0<\/span><b>\u25cf Nuke<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Bernardo Varela<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Sherin Mahboob<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Alex Grey<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Alex Prod\u2019Homme<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Marco Baratto<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Marko Perendija<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Pat Wong<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Chris Fraser<span>\u00a0<\/span><b>\u25cf Lead CG<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>James Sindle<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Dean Robinson<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Remi Dessinges<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Rich Thomas<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Graeme Turnball<span>\u00a0<\/span><b>\u25cf CG<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Julien Soulage<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Sergio Morales<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Michele Fabbro<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Deniz Cinar<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Luping Shi<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Hendrik Freuer<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Annie Rowland<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Oscar Hill<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Francesco Pelosi<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Baptiste Roy<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Fran Saa<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Laury Guitrand<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Joao Peres<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Max Van dee Merwe<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Denis Bodart<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Arnau Gilabert<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Abner Marin<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Greg Coehlo<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Adam Lindsey<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Pietro Licini<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Alessandro Costa<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Pete Colebatch<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Mike Gilbert<span>\u00a0<\/span><b>\u25cf Rigging<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Jeroen Hooghoudt<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Mikael Johansson<span>\u00a0<\/span><b>\u25cf Animation<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Joffrey Zeitouni<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Paul Templeman<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Jesus Parra<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Anthony Vincent<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Scott Bono<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Aziz Kocanaogullari<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Eduardo Castells<span>\u00a0<\/span><b>\u25cf Lighting<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>James Sindle<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Dean Robinson<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Remi Dessinges<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Rich Thomas<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Graeme Turnball<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Julien Soulage<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Luping Shi<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Hendrik Freuer<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Annie Rowland<span>\u00a0<\/span><b>\u25cf 2D Animation<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Tim McCourt<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Sam Taylor<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Denis Bodart<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Bjorn Erik-Aschim<span>\u00a0<\/span><b>\u25cf DMP<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Bj\u00f8rn-Erik Aschim<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Tristan M\u00e9nard<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Nicolas Loudot<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>David Gibbons<span>\u00a0<\/span><b>\u25cf Colourists<\/b><span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Aubrey Woodiwiss<span>\u00a0<\/span><i>\/<\/i><span>\u00a0<\/span>Lewis Crossfield<\/p>\n<\/div>\n<p><!--]--><\/div>\n<footer data-v-b402eb9f><a href=\"https:\/\/eliz.vision\/work\/freefire\"><\/p>\n<div> Next <\/div>\n<div>\n<div>\n<figure><img alt=\"\" width=\"1422\" height=\"800\"><\/figure>\n<div>\n<div>\n<div>\n<p>24fps <span><em>\/<\/em>\u00a002:45<\/span><\/p>\n<ul><!--[--><\/p>\n<li>Branded<\/li>\n<p><!--]--><\/ul>\n<p><span><\/span>02:45<\/p>\n<p>May \u201821<\/p>\n<p>THE LINE \u00a9 MMXXVI<\/p>\n<\/div>\n<h2><span>All In <em>\/<\/em> Free Fire<\/span><\/h2>\n<div><button><span>The Crew <!--&gt;<\/span><\/button><\/div>\n\n<button><\/button><\/div>\n\n<\/div>\n\n<span><\/span><\/div>\n\n<\/div>\n\n<\/a><\/footer>\n\n--><!--&gt;<\/div>\n\n--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Our 3D animated commercial for British broadcast platform, Freeview. Directed by Sam Taylor, Bjorn-Erik Aschim, and Sam Brown<\/p>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","eliz_project_type":[16],"eliz_director":[43],"class_list":["post-123","eliz_project","type-eliz_project","status-publish","hentry","eliz_project_type-entertainment","eliz_director-sam-taylorbjorn-erik-aschimsam-brown"],"_links":{"self":[{"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_project\/123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_project"}],"about":[{"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/types\/eliz_project"}],"version-history":[{"count":0,"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_project\/123\/revisions"}],"wp:attachment":[{"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/media?parent=123"}],"wp:term":[{"taxonomy":"eliz_project_type","embeddable":true,"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_project_type?post=123"},{"taxonomy":"eliz_director","embeddable":true,"href":"https:\/\/eliz.vision\/index.php\/wp-json\/wp\/v2\/eliz_director?post=123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}